oboe
José García Vegara
“…Delicate and mysterious. As nostalgic as passionate…”
Oberhessische Presse
oboe
José García Vegara
biography
Principal oboe of the Frankfurt Radio Symphony Orchestra since 2008.
José Luis studied at the Royal Academy of Music in London with Tess Miller and Celia Nicklin. In 2007 he graduated with First Class Honours and was awarded with the Principal’s Prize. He then studied at the Karajan Akademie with Jonathan kelly and played with the Berliner Philharmoniker.
José Luis has been guest principal oboe in prestigious orchestras such us the Royal Concertgebouw Orchestra, Mahler Chamber Orchestra, London Symphony Orchestra, Budapest Festival Orchestra, Chamber Orchestra of Europe, NDR Sinfonieorchester, Rotterdam Philharmonic Orchestra and Deutsche Sinfonie Orchester.
He has been invited to coach the Landes Jugend Orchester Hessen, Joven Orquesta de Andalucía, Joven Orquesta Nacional de Cataluña, Filarmónica Joven de Colombia and has given masterclasses in Japan, Spain and Argentina. Jose Luis has played with Le dissonances, the Ensemble Mediterrain and from 2020 he will be playing principal oboe with the Bayreuth Festival Orchestra.
Diary
Concerts & Events
Here you can find all the dates for my next concerts and events. It would be a pleasure if you could follow me.
media
Gallery of Images & Videos
In this section you will be able to see some pictures and videos about my profesional career as a musician.
“…the performance that followed had moments of real distinction, with some fine solos from oboist Jose Garcia Vegara…”
“…Impactante fue la recreación del Concierto para violín, oboe y orquesta del mismo autor en el que brilló el oboísta José Luis García Vegara en diálogo con el violín de Weithaas…”
“…Wehmütig und emotional spielte García Vegara, schöpfte das ganze Potenzial des weichen, melodiösen Oboen-Ton aus. Feinfühlig und geheimnisvoll, sehnsüchtig wie leidenschaftlich…”
“Stabil im Kern, geschmeidig an der Oberfläche, beredet in der Aussage, bot deren Solo-Oboist José Luis Garcia Vegara das C-Dur-Konzert RV 447. Den Langsamen Mittelsatz sang er geschmackvoll aus, unangestrengt blitzen die Läufe der raschen Ecksätze.”
Frankfurter Neue Presse